Continued insistence, not to say obsession, Alex repetitive subject fascinates me. At fluttering

For those just joining us, a brief introduction: Almost two years ago I decided to embark on a journey following the nutty Spanish filmmaker named Alex de la Iglesia. The reason - the absolute infatuation and uninhibited film 2011 model, "Ballad food truck schedule boston Triste" (Balada Triste de Trompeta), which was pretty much everything I ever wanted from this movie will be. Could a parallel universe I found the director has already started out and made it my favorite filmmakers? I decided to test the theory watching all his films again, in chronological order. Rather than do it Bsofs one, like a normal person, we are now in the fourth chapter alone, not even at the midpoint. The good news is that after proving that the third film is human and least - my favorite so far - Alex Dl"a returned sneak my ass.'m Not sure yet whether the level of the first film, specified, or specified his second and equally (or perhaps more ), but "Muertos De Risa" reminded me of why I went on this trip in the first place and made me watch my next stop.
The name of this movie, the director finished him early 20th century, can be translated as "die laughing". Incidentally, it turns out that under the same name was released in a few years later to "Shaun of the Dead" in some Spanish-speaking countries (here he was "The Dead"). I do not know, it gives me a few more credits. But unlike compensated make frequent use of the death and laughter headlines movies are comedies Overall, Dl"a buying the right to stupid already opening food truck schedule boston scene., But better to know as little about the plot, so as usual I'll send you and you watch and then continue reading. Those in need or needs incentives or other details, here they are anyway, this time I tried hard and I could not Lsfiilr.
The story begins on the first day of 1993, and then goes back to review two decades. Which means as will some Franco. And even Uri Geller (or Uri Hlr so in Spanish) will jump a guest appearance and will gesture bent spoons. But the famous real are just supporting characters in the play of Nino (Santiago closed the player's home director) food truck schedule boston and Bruno (El Gran Wyoming), a pair of comic world of the film captured the hearts of audiences in Spain for 20 years, led by their manager legendary (Alex Angulo, additional fixed ). But under the common success story lies a bitter rivalry and jealousy long gnawed at the souls of the two. The partnership has made companies became co - Fight to the death, or at least until the other will go crazy.
Part from my thesis that all his films were just preparing to create his masterpiece in 2011, focused on the rivalry between the two protagonists. Two men who began as members of the stage, and jealousy tore their relationship apart, while they do the same thing it is the life and soul of it. When early in the film including a woman entered (Carla Hidalgo), has been really excited / I worried that this is an advanced draft L"blda Triste ". But the girl was only an episode in the ongoing saga comes back and lights the movie every time it is reset or relaxed - two men destroying each other's lives. This is the same driving force, this obsession with the suffering of others, food truck schedule boston even at the cost of a complete self-destruction, for without him die. Not laughing this time.
Weight transfer between hero of this film beautifully balanced and accurate. Angulo also contributes to this form of the promoter, also functions as mentor occasionally leading to the plot and bridges two hawks, and especially food truck schedule boston gives the film its narrative structure. Number of the film, this character allows the film to be opened flat and madness as the director likes, but also make a piece of Salta last scene. Yet even though we thought that everything was explained very well and we made clear opening chronicle foretold the violent deterioration. In addition, the narrator's perspective is always objective and it seems that he really liked each Mhmtzhaiknim, so the audience can. We start with the case Calles of exploiting and the exploited, the underdog that we should encourage and whose pain we are supposed to hurt. This early film Nino and it works, plus a growing resentment Oswald's partner - Bruno. Director continues to use his player, Santee closed, like his image - a short, insecure, probably near Bruno slippery and fun (do not know, they say in the movie), makes the most of the talking on stage.
But at some point, without my notice, food truck schedule boston Nino turns to mud so great - so not only pity pass to Bruno, but that suddenly dwarfed evil deeds. Once that happens again, understanding that both berserk finally matures, there was no limit to my enjoyment of the film in terms of entertainment and even emotionally. How could no permanent symbol chooses director, clown, here comes the first heights of madness and some of the best entertainers in the classic duo - the sad clown and passive, so-called "clown white" clown clowning in front. This connection point between these two halves of one whole, food truck schedule boston it is also the main focus of friction and rivalry escalating.
Continued insistence, not to say obsession, Alex repetitive subject fascinates me. At fluttering'd flung his own biography, food truck schedule boston there is no enemy of souls, food truck schedule boston no nemesis Mr. motivate the creator himself to deal in this story. If anything, the opposite - Jorge Grikatz'briih continues to be a silent partner Alex, screenwriter only, the film above. Namely, the two join forces also work directly food truck schedule boston engaged in professional cooperation net between two people in the entertainment world, and which discussed the question of how friendships such professional doomed because Sbririotn aggressive and predatory world, based on excessive competition and inflated egos.
In terms of film, I must admit that my mind stays in place this time, instead of bouncing in my skull, as is usually the case with this director. Besides the dazzling opening, the film lacks the cinematic virtuosity that characterized the style of filming and editing videos Dl"a, which always was poured into celluloid combined food truck schedule boston thickly trash Jovi - Lovins. Conversely,