Bollywood - Genre Bollywood films are mostly musicals, and is expected to contain some catchy tunes

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Bollywood - Genre Bollywood films are mostly musicals, and is expected to contain some catchy tunes in the form of singing and dance numbers woven into the script. The success of a film depends on the quality of your numbers musicais.De fact, the music of a film is often released before the film itself and helps increase the audience. The Indian public expects that the total value for money, business roundtable with a good entertainer generally referred to as paisa vasool (literally "worth the money"). Songs and dances, love triangles, comedy and dare-devil thrills - are all mixed together in a show of three-hour interval. These movies are called masala movies, after the Hindu term for a mixture of spices. How masalas, these movies are a mixture of many things. The plots of Bollywood traditionally business roundtable tended to be melodramatic. Often employed ingredients such as star-crossed lovers and angry parents, love triangles, family ties, sacrifice, corrupt politicians, kidnappers, terrible villains, courtesans with hearts of gold, long-lost relatives, the fate separated brethren, dramatic changes of fortune and convenient coincidences.
There have always been Indian films with more artistic aims and more sophisticated stories, both inside and outside the Bollywood tradition (see Art Cinema of India). They often lost at the box office for movies with more mass appeal. Bollywood conventions are changing, however. The great Indian diaspora business roundtable in English speaking countries, and increased Western influence at home, have nudged Bollywood films close to Hollywood models. Kisses in movies are no longer taboo. Plots now tend to have urban westernized dating and dancing in clubs, instead of arranged marriages. Film critic Lata Khubchandani writes: ".. business roundtable our first films ... [had] liberal doses of sex and kissing scenes business roundtable itself Interestingly, it was after the independence of the censor board came and so did all the criticism.."
The 1930s and 1940s were tumultuous times: India was buffeted by the Great Depression, World War II, the independence movement in India, and the violence of partition. Most Indian films were clearly circumvented, but there were also a number of filmmakers who address social issues, or used the struggle for Indian independence as a backdrop for their plots. In the late 1950s, Bollywood released its the 1st color films, however, most movies business roundtable were still in black and white until the mid 1960. At that time romantic musicals and melodramas were the staple business roundtable fare at cinema. Some successful actors Dev Anand, Dilip Kumar and Raj Kapoor and Nargis the actresses, business roundtable Meena Kumari, business roundtable Nutan and Madhubala. In the late 1960s and early 1970s, romantic movies and action starring Rajesh Khanna and artists like Dharmendra. In the mid 1970s, romantic gave way to gritty, violent films about criminals and bandits. Amitabh Bachchan is a star known for her "angry young man" business roundtable roles, rode the crest of this trend with actors business roundtable like Mithun business roundtable Chakraborty and Anil Kapoor, business roundtable which lasted until the early 1990s Actresses Hema Malini this time include, Jaya Bachchan and Rekha. In the mid-1990s, the pendulum back to the romantic musical centered family with the success of films like Hum Hain Kaun Aapke (1994) and Dilwale Dulhania Le Jayenge (1995), making the stars of a new generation business roundtable of actors (such as Aamir Khan, Salman Khan and Shah Rukh Khan) and actresses (such as Sridevi, Madhuri Dixit, Karisma Kapoor and Kajol). At that point of time, action business roundtable and comedy were also going strong with actors such as Govinda and Akshay Kumar and Raveena Tandon actresses like Karisma Kapoor and. This decade marked the entry of new artists at the art cinema area, some of which were successful at the box office, as well, with new performances by acclaimed actors of this generation (Nana Patekar, Ajay Devgan, Manisha Koirala, business roundtable Tabu and Urmila Matondkar).
The 2000s meant a growth in the popularity of Bollywood in the world. This led the film to a new level in terms of quality, cinematography and innovative story lines as well as technical quality advances. Some of the largest production houses, among them Yash Raj Films Productions and Dharma were producers of new modern films. The opening of the overseas market, more Bollywood releases abroad and the explosion of multiplexes in big cities, led to greater success of billions